In this piece, the artist performs facial work-out exercises in big close-up and extreme slow-motion. The high-contrast monochrome cinematography is abstracted from the human body and is suggestive, at times, of natural forms and landscapes.
Numerous books have been published containing such exercises, which are a popular subject on the internet, in the newspapers and on daytime TV.
A preoccupation with reversing the ageing process through these workouts, to slow, or even travel back in, time, appears widespread. It suggests a universal desire to combat Nature.
These natural forces, which will always prevail, seem themselves to be latent in the movement of the artists’ facial muscles, and are revealed by the slo-mo cinematography.
Rather than being hidden away from view, the video projection system sits on a shelf in the middle of the floor, forcing the viewer to negotiate its presence in order to watch the film. This storage system is bound up with plastic mesh, trapping the hardware inside a cell that is analogous to the flesh that traps us all. Nowhere is this imprisonment more in evidence than in the slow deterioration of our faces.
The film screened in December 2013 as part of 'The Hand that Feeds' group show, One Cube or Two, Glasgow, and showed as part of "Outside the Box', Paul Holmes's solo show, at Studio 21, Kolkata, June 2015.
HD Video, shelf and polyurethane mesh. Black and white, silent. Dur: 7 mins 19 seconds, looped.
Thanks to Jamie Hare and Keith Bird - technical staff at UWS Ayr, where this project was shot.
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